“The Temple is the alchemical project in microcosm, the yin and yang of Egypt’s Hermetic Shepherd of Hermas in whose memory palace the Black and White kings have played fatal chess for centuries, from the Lincoln-Douglas debates in the ‘Little Egypt’ section of Illinois upon which the fate of three wars and countless lives depended, to the ritual assassination of the ‘Black King,’ Michael/Nitram Luther King Jr. in ‘Memphis’ (Mizraim).”
–Michael A. Hoffman II, Secret Societies and Psychological Warfare
The year 2013 marked the 50th anniversary of the assassination of President John F. Kennedy—the Golden Jubilee of the “Killing of the King” (which is the subject of this book). Likewise, 2018 will mark the 50th anniversary of the assassination of Robert F. Kennedy and Martin Luther King, Jr. (the “Killing of the Black King”). A Golden Jubilee Two-fer.
In 2013, just as we were subjected to the Boston Bombings in the birthplace of JFK (and a variety of other fabricated atrocities too numerous to discuss here), so too in 2018 will we almost assuredly witness false-flag events in one or more of the following locations: Atlanta, Georgia, MLK’s birthplace; Memphis, Tennessee, the city where he was assassinated; and/or Birmingham, Alabama, “The Magic City”, where MLK was famously arrested in 1963. Los Angeles, where RFK was gunned down in June of ‘68, is another venue-to-watch in the coming year.
Dates-to-watch include January 15th, MLK Day/his birthday; April 4th, the date of MLK’s assassination; April 12, the date of his arrest in Birmingham (which also earned the nickname “Bombingham” through a series of racially-motivated bombings, including that of the 16th Street Baptist Church, a building which served as a rallying point for civil rights activities and a meeting place for leaders of the movement, including Martin Luther King, Jr.); and, June 5th/6th, the dates of RFK’s shooting/death.
Divide and Conquer
Of course it would be far too predictable, and thus poor form, for any commemorative act of staged terror to be performed at the scene of the crime on the actual date of the commission of the crime. In truth, attempting to predict with any specificity what the Cryptocracy will do on a specific date or in a particular location is a waste of time—our overseers are far too creative, and practically omniscient. (Just pay attention, you’ll know it when you see it.)
And while I do not tend to think that the global elite will commemorate/celebrate the dual RFK-MLK 50th to the same degree that they did the JFK anniversary in 2013 (again, it’s all in the book), I could be wrong. Similarly, although I’m inclined to believe that employing a white-supremacist-hate-crime cover story for an act of staged terror in Atlanta or Memphis would simply be too obvious to be palatable, again, I could be wrong.
Anyone who’s been paying attention during the last half century is fully aware that the wedge of fomented racial division is being driven ever deeper into the soul of American society. What better way for the Cryptocracy to commemorate the Golden Jubilee of the Killing of the Black King than to trigger race riots emulative of those that followed MLK’s assassination?
Life Imitates Art
As detailed by a range of researchers and authors, including Michael Hoffman and myself, there is a long tradition among the super-elite of the purposeful intertwining of reality and fantasy—utilizing print and film in particular—in part as a means of creating inside jokes and mocking the public to their faces, but, more significantly, towards the ultimate end of blurring the masses’ perceived distinction between the real and unreal.
Thus, we note the Washington, D.C. premiere of Stanley Kubrick’s 2001: A Space Odyssey in April of 1968, a fortuitously-timed 33 years before the arrival of the year 2001, which in reality marked the arrival of the 21st century (and not, as many people incorrectly believe, the much-ballyhooed year 2000); more precisely and more to the point, however, the film debuted on April 2nd, a mere two days before the assassination of MLK.
Still, a bit of a stretch, or a tad oblique, you might think? (Not that you should flatter yourself that you share the same sophisticated, morbid sense of dark humor possessed by the occultist global elite.) Well, perhaps you’re right—but they’ve made this one much, much easier for you: April 3rd, the day immediately preceding the shooting of America’s most well-known and influential Civil Rights leader saw the release of another iconic piece of American filmmaking: Planet of the Apes. (If I need to explain that one to you, you really shouldn’t be reading this.)
A more recent example of this dark tradition was the release of Hunger Games: Catching Fire on November 22nd, 2013, the precise date of the 50th anniversary of the JFK assassination. (The first installment of the Hunger Games film series was released the previous year on March 23rd, the date in 1933 that the Reichstag passed the Enabling Act, which assisted Hitler in coming to power in Germany.)
And if for some reason you’re still not sold, note the release date of the Beatles’ White Album, which contains the Charles-Manson-racial-apocalypse-trigger-tune “Helter Skelter”—November 22nd, 1968, which also just happened to be the date of the first-ever interracial kiss on U.S. national television, between Star Trek’s Captain James T. Kirk and Lieutenant Uhura in the 12th episode of the series’ third season, “Plato’s Stepchildren”.
Ready or Not
Of course, whatever is planned in 2018 to celebrate the Double Golden Jubilee, we can rest assured that it will be mixed with heavy doses of further Russian collusion nonsense, more reckless brinksmanship with North Korea and God only knows what else.
We would also do well to keep in mind that both alleged MLK assassin James Earl Ray and alleged RFK assassin Sirhan Sirhan have been identified as likely victims of Dr. Jolly West’s MK-Ultra mind-control programming—and that we are the current targets of the programmatic offspring of MK-Ultra, bastard black-budget initiatives which are undoubtedly vastly evolved, dramatically expanded and ever more technologically sophisticated.
1968, here we come, ready or not.
(P.S.: Foreshadowing? … the major power outage at ATL International Airport and the abrupt removal of Nathan Bedford Forrest and Jefferson Davis statues in Memphis?)